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Feb 16

Stylized Catalog Copy: The Key to Better Results

Posted on Tuesday, February 16, 2010 in Design Tips, Desktop Publishing, Printing Tips, Promotion, graphic design, typography
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How are you going to communicate within your print catalog? Some say that every catalog printing piece should be strictly prose, all facts with no embellishment. Others say that only a more conversational sales pitch style has a place in the catalog copy. The trouble with making all encompassing judgments like these is that every situation is different. You will need to consider a few things in order to make your catalog copy work best for you.
 
How much room do you have?
The amount of room you have for each product will play a large role in the type of description you give. A smaller amount of space may only allow for the details of your product. A larger amount of space would allow for a more wordy sales pitch.
 
What is your product like?
The type of product you are selling will also determine how you describe it. You will need to go into depth about all the features of a cell phone but you would not need to with a chocolaty chocolate chip cookie. Some products will lend themselves to a conversational piece. Others need more solid product information.
 
Is you catalog made to order?
If your print catalog is set up for the purpose of ordering, then you need to be very informative about your product. Your customer should be able to make an educated decision without having to call for clarity. A promotional catalog should be handled much differently. Your sales ad should have flashy graphics and catchy copy. This is your opportunity to woo your prospects. A list of details will not do the job.
 
Who is your buyer?
Some groups of customers will prefer a conversational, sales type of copy in your print catalog. A new customer will need more help with their decision, so explaining the reasons that your product is the best will be helpful. A professional, on the other hand, will not need you to spell things out for them. A construction worker would prefer a simple and complete list of products to order from.
 
Are your customers returning?
Customers that have established a buying habit will no longer need to be wooed with embellished copies. Your print catalog can be made shorter and more to the point for a faithful client. Prospects, on the other hand, need the embellishments. For their sake, make your copy interesting to read.
 
What worked in the past?
If you have been putting out a print catalog for a while, then you should see a pattern in sales and style of copy. If your particular customer base likes a short and sweet copy, then that is what you need to give them. If you sell more with a lengthy conversational copy, then you should invest more space to do so.
 
You will get better results if you do your homework and cater to the desires of your audience. Therefore, write catalog copy that is suited for your particular target audience, and you’ll see the sales roll in.

Nov 10

Simple Typography Rules for an Impressive Catalog Design

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Typography is a large part of the visual appeal of your catalog, so using attractive typography in your catalog design is vital to a stunning finished product. An impressive catalog printing design will include a font type that is both easy to read and visually appealing to readers. With this in mind, here are some simple typography rules for an impressive catalog design. 
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Oct 27

Promoting Your Book with Posters

Posted on Tuesday, October 27, 2009 in Desktop Publishing, Printing Tips, Promotion, graphic design, marketing, typography
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Promoting your own book through poster printing will get the word out on the street fast. Drum up interest and attention with an eye catching poster, but make sure to determine your message, gather opinions, and then design the perfect poster. Last, pick the poster size and places to hang your poster and you’ll be on your way to a successful book advertisement. 
Know your message.

Decide upon what it is you want to say. The book title may or may not be the message of the poster. “The Open House” may be a good book title, but not a good message for your poster printing. The goal of the message is to entice someone to purchase your book, so make sure it is interesting. 
Include an eye catcher.

An interesting eye catcher for a personal finance book might be “retire in ten years.” As mentioned before, a catchy phrase may be better for the headline than the book title. The eye catcher can be an image as well: an enticing graphic design or intriguing photograph. Either way, create something that leaves a viewer curious and leads the individual to read the entire poster printing message.           
Gather opinions.

Now that the poster printing has a message and the attention of the viewer, it’s time to sell the book. Use opinions and reviews as supporting details to sell the book. The more reputable the source, the more persuasive it is likely to be. A review from a notable publishing company can do wonders, but your neighbor’s review of your book may not get much attention.

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Mar 19

14 Free Font Resources

Posted on Thursday, March 19, 2009 in Design Tips, Desktop Publishing, graphic design, typography
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Dafont

dafont
FontReactor

fontreactor
Better Fonts

betterfonts

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Jan 22

Top 10 Fonts for the Web

Posted on Thursday, January 22, 2009 in Design Tips, graphic design, typography
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Legibility of fonts on Web sites are one of the most important aspects of Web design. No one will put forth effort just to read Web text. Fonts on Web sites must be legible and easy on the eyes to keep readers at the sites. Here are the top 10 fonts to use on the Web, mainly chosen for their easy readability.

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Jan 22

Top Fonts for Print

Posted on Thursday, January 22, 2009 in Design Tips, Printing Tips, graphic design, typography
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When it comes to marketing brochures, posters, books, newspapers, magazines, what’s the first thing you notice? The stories and messages are all well and good, but subconsciously (and for designers, consciously) most people notice the font of these items. A font can make or break a design, and font has the power to make the reader feel however the designer intended.

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